My Rating: 3/5 Stars
I was surfing the Internet and I came across a TV show called, “The Office,” which is a TV show based on some foreign TV show. “The Office” is a fake, humorous documentary about abnormally average people working in a small subsidiary of a paper corporation. From 2005 to 2010, the show has 6 seasons, and it’s produced and owned by NBC. NBC has some episodes of the TV show on its website. If you want to see all of the episodes, then rent them (NetFlix.com allows its members to watch season 1 to 5 through the Internet), buy used and affordable copies at pawn shops, buy discounted copies on eBay, or borrow them from your local library. (I recommend the library, ‘cuz the show isn’t something I would watch twice.) It’s a decent show, or worthy of 3 stars out of 5. It has lots of potential to be a good show.
The show mostly occurs in an office (“The Office”) that consists of a white-collar team (e.g., sales, customer service, and the other typical office roles) and a blue-collar team (e.g., the warehouse). The focus is on the white-collar team. It’s completely filled with people of different personalities, and each person has a unique set of likeable attributes and character flaws. Everyone criticizes and ridicules each other, but no one takes him/herself seriously, and everyone knows his/her coworkers are usually full of crap. The comedy is more crude than sophisticated, and it’s not for children.
Here is a brief scene from the show. Michael Scott is the regional manager of “The Office,” and Angela and Oscar are his subordinates. Angela wanted to display a huge baby-picture in the office, but Oscar didn’t like the picture. Oscar doesn’t want to see the picture at all. A third employee offered a compromise (i.e., each person gets a part of what s/he wants): Angela gets to display the picture for a few workdays, then Oscar gets to hide the picture for a few workdays. Michael Scott offered a win-win solution (i.e., each person completely gets what s/he wants): Angela and Oscar copy the baby picture onto a t-shirt, and then Oscar wears the t-shirt when he is at work. This way, Angela gets to see the baby picture every workday (assuming Oscar goes to work every workday), and Oscar can’t see the baby picture when he is working. OK, Michael’s win-win solution is not the best example of a win-win situation, but you get the idea.
The show makes fun of everything and every person it can (e.g., clueless bosses, office politics, Christian hypocrites, office romance, various ethnic jokes, divorce, office gossip, and so forth). Most of the jokes highlight each character’s flaws or a system’s weaknesses. The jokes go gently for Jews and African Americans. The former is probably due to how Hollywood, like Israel and America’s central banksters, contains lots of pharisees with fragile, but huge egos that have been further inflated by liberal guilt. The latter is another result of liberal guilt. These concepts should be ridiculed by “The Office,” but I was disappointed. When the show makes the rare Jewish joke or the rare black joke, the joke is weak. The jokes barely expose Jewish or black inadequacies, or they exaggerate the positive attributes of Jews or blacks (i.e., a positive joke). In addition, the show is becoming trite with each passing season. If the show ridiculed Jews and blacks the same way the show has been ridiculing everyone else, then I’ll give the show 4 Stars of David out of 5 Stars of David.
There are so many ways you can ridicule blacks. It has been done for a long time. Then there are the Jewish jokes. Of course, everyone has to be careful with these jokes (and only these jokes), because the liberal thought-police (e.g., Katie Couric and Anderson Cooper), the neo-con brown-shirts (e.g., Bill O’Reilly and Ann Coulter), and the Jewish pharisees (e.g., Steven Spielberg and Howard Stern) will persecute anyone who thinks outside of their boxes. Then the central banksters will deny loans to comedians who ridicule everyone (including Jews and blacks), and federal regulators will stop these comedians from appearing on the TV, popular print media, and education facilities.
(1) “The Office” has a Christian woman who is a total hypocrite. She acts like she has superior morals and standards, even though she sleeps with multiple men, she loves her cats more than most other people (e.g., she licks her cats clean), she is self-centered, she backstabs her coworkers, she doesn’t follow her own rules while expecting everyone else to meet or surpass her expectations, etc. “The Office” could easily add a Jewish woman who is a pharisee. The Christian hypocrite and the Jewish pharisee are good friends against all the heretics out there, but the Jewish pharisee is secretly manipulating the Christian hypocrite in order to gain various benefits. The Jewish pharisee’s business works as a supplier for the Christian hypocrite’s office. The Jewish pharisee’s business makes overrated products of lower quality and overrated products of higher prices than the competition, but she uses her religious ties with the Christian hypocrite to continually win deals.
This Jewish pharisee has a 100% Caucasian heritage, but she believes her non-Jewish critics are motivated by anti-Semitism, and she HATES Palestinian Semites (e.g., “All of them are untrustworthy, bigoted, and violent.”) the same way Hitler hates non-Germans and handicapped Germans, or the same way Israel oppresses and slaughters Palestine. Her intense bigoted hatred is not conspicuous. She is passive aggressive. She has succeeded very far throughout her life by secretly copying people’s ideas, and then promoting and selling people’s ideas as her own. She threatens to sue anyone who steals her stolen ideas (this is one of the rare times she is openly aggressive). She puts laxatives in her enemies’ coffee. She hides people’s office supplies. She secretly damages people’s belongings. She expects people to open doors for her and to get out of her way when walks through hallways and other thin pathways. She subtly backstabs a person by pretending to show concern for a person. More specifically, she sympathetically discusses with other people about how a person has some mysterious problem that is ruining the person’s concentration, thus the person makes the same mistakes. She acts like she wants to help a person, but she is using sympathy to hide her criticisms of the person.
She thinks she is always right (always). Whenever she makes a mistake, she shifts the blame to another person, or she accuses her critics of having unrealistic standards. If this fails, then her apologies always have common themes: (1) she thinks the situation is unfortunate IF she did anything wrong in the eyes of other people, and (2) all of us are imperfect, so let’s forgive all of our shortcomings. She starts arguments with other people, but she acts like she was verbally assaulted by other people (for an example, go to YouTube.com to see a real-life “Jew goes ballistic on reporter over rabbi arrests”). She deflates the car tires belonging to anyone who annoys her. She takes advantage of liberal guilt (i.e., winning the support of goyim or making goyim feel worthless) by falsely claiming she is the victim of racism. Think of the real-life event involving a Jewish female student at George Washington University who secretly drew Nazi swastikas on her dormitory door (hidden cameras caught her deception), and then she claimed she was a victim of racism.
(2) “The Office” ridicules many Caucasian goyim and sometimes makes fun of an Indian woman and a Mexican goy who happens to be homosexual. For example, “The Office” highlights the stupidity of a promiscuous, divorced woman who is alcoholic and who has 2 children. The show could add in a Jewish banker who succeeds by charging usury, by using fractional reserve banking, and by using inflationary taxation. If any goyim points this out, then the goyim are accused of anti-Semitism by this Jewish banker (e.g., calls to the Anti-Defamation League, ACLU, AIPAC, Congress/House of Lords, and other partial organizations).
This Jewish moneychanger tries to emulate his idols (e.g., Jeffrey Epstein, Ben Bernanke, or Alan Greenspan) with a dash of Count Dracula. He is a secretly proud member of AIPAC and a dual citizen of America and Israel. He loves to show off his stolen success while acting snobby towards more honest and more pragmatic goyim. He always tries to win people’s loyalty or support by bribing them. If this doesn’t work, then he blackmails them. He often complains about how goyim are close-minded or how goyim need to be more open towards all people, but he strongly prefers to do business with Jews. He gives his best deals to Jews, but he accuses goyim of racism when goyim refuse to obey his desires, even though he looks Caucasian. No one knows he is partly Semitic and a loyal member of Judaism, because he is 93.75% Caucasian and 6.25% Semitic. He prefers whiter Jews over darker Jews. He quietly detests Jewish Africans and Jewish Asians.
(3) “The Office” cracks jokes about how all Asians look and act similar, how Asians are short and skinny, how Asians have strange cultures, how Asians have almond eyes, etc. The TV show could add in a Jewish marketing manager for “The Office,” and he’ll be the main Jew of the TV show. He only got the job, because the Jewish banker refused to give money to “The Office” unless they hire a Jew for a high-ranking position (e.g., Affirmative-Action discounts or multi-culture special-deals). All the Jews discriminate against their goyim coworkers while they threaten to hire the assistance of the Anti-Defamation League and other corrupt organizations (AIPAC, ACLU, and Congress/the House of Lords) whenever goyim differentiate between Jews and goyim. They secretly record goyim, and then they butcher the video and audio to make the Jews look good and to make goyim look bad. It’s similar to how the real-life Jew named Andrew Breitbart redacted a video to slander Shirley Sherrod as a racist.
The Jewish marketer frequently exploits liberal guilt or guilt trips by comparing every problem to unfair Jewish sufferings created by evil goyim throughout history (especially World War 2) and ignores the sufferings, heroics, and generosities of goyim throughout history (especially World War 1 and 2). It is his way of reminding goyim that they always morally owe something to Jews. If they disagree with or ignore his demands, then the Jewish marketer accuses them of being anti-Semitic, ignorant, bigoted, a Hitler sympathizer, a Nazi, etc.
He has a large, projecting nose, and a dark, wavy hair (he is 50% Semitic and 50% German). He boasts about how wonderful and superior Jews are, or how pathetic and inferior goyim are, but he always chases after beautiful goyim women, especially redheads and Nordic women with blonde hair and blue eyes (think Howard Stern). Then he tries to convert beautiful goyim women to Judaism to prove the superiority of Jewish religions, customs, and genetics.
He criticizes the innumeracy and bigotry of Christian beliefs (e.g., creationism and other Bible “truths”), but he thinks the magical writings found in the Talmud and the Torah are the greatest books ever written by anyone in the entire universe. He shows off his intelligence by ridiculing the errors of Greek and Chinese philosophers (e.g., Socrates, Aristotle, Plato, Confucious, Mozi, Han Fei Zi, and Hsun Zi). At the same time, he is extremely uptight about Kosher superstitions, partly because he is a pharisee, and partly because he uses religion to hide his political biases, economic preferences, cultural inclinations, and social choices. He reminds people of contemporary Jewish success while being oblivious to the modern success of various goyim (e.g., Christian doctors, atheistic goyim in the writing industry, Chinese-American engineers/scientists, Italian businesses, Indian programmers, and Latin American musicians).
The Jewish marketing manager is around 40 years old, but when he was a youth and a young adult, he was a member of Israel’s military. He showcases his military medals on his working desk and he loves to tell people about his military exploits against alleged Palestinian-terrorists, alleged Muslim-terrorists, and terrorist allies (i.e., children and pregnant women of Semitic and Muslim heritage; Muslim, Semitic men being forced off of their ancient and medieval lands by international Jews; and international, humanitarian workers who tried to bring peaceful aid to Palestine). He is quick to point out war crimes and human-rights violations performed by various goyim. He consistently defends African Americans against the racism and arrogance from non-black goyim, and he constantly exaggerates the achievements of African Americans while understating the successes made by non-black goyim, even though he is only using African Americans to prop up his unctuousness. Deep down, he is annoyed by African Americans, but he wants goyim to suffer from liberal guilt or to feel unworthy.
All in all, “The Office” is funny and is a lot better than the other crappy mainstream-entertainment shows on the Internet. I usually can’t stand the detective or police dramas. They are suppose to be for intelligent viewers, but they are so fake and bland. The detectives, FBI agents, or whatever law enforcers act too seriously, and their professionalism, capabilities, and technologies have been ridiculously exaggerated when compared to their real-life counterparts. I guess these detective dramas are for viewers who mindlessly worship authority figures, or for people who enjoy walking around with a baton shoved up their rear end. Maybe the show satisfies the inner desires of sado-masochists who fantasize about being disciplined by a police state. I can barely remember the other lousy TV shows that are available through the websites of mainstream-entertainment corporations.
I know the mainstream entertainment industry creates lots of shows that mix reality TV with some type of competition and/or bickering drama. “She said this, and he did that to me. . . . No, he didn’t! . . . Well, I sure taught her a lesson! . . . What a liar! This is how things really went. . . . ” said reality TV “star” #3,184. Hollywood spends so much money on its TV shows and movies, but most of them are liberal daydreams and a few are neo-con wet-dreams. “The Office” is usually a rare exception. It does a good job of humorously criticizing many people, but it would be funnier if it joked about everyone’s defects and strengths. The jokes are good as long the jokes promote a light-hearted environment, humorously depict how everyone is imperfect, don’t inspire unjustified hatred or ignorant attacks, and teach people to see our differences in a win-win manner.